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1991: The Year Punk Broke, released theatrically in 1992, is a documentary directed by Dave Markey featuring American alternative rock band Sonic Youth on tour in Europe in 1991. Edit) Sonic Youth brought out Nirvana on a tour in August of 1990 along with a band called STP. ( Log Out /  A discussion was started a couple weeks back asking people to suggest “The Top Five Most Important Concerts to Nirvana’s History.” Brett pointed to the show in Hoboken, New Jersey on July 13, 1989 on the basis that it’s the night Sonic Youth saw first saw Nirvana play live. This single purchase thus bid farewell to Kurt at the same time as introducing me to the band that became the single most important influence on my music-consuming tastes and directions. Nirvana followed Sonic Youth onto Gold Mountain for a very clear reason as described in 2011 by Danny Goldberg, “John and I signed Sonic Youth, who were very good at picking opening bands…They chose Nirvana to open for them on a European tour, and I recall John coming back and saying that we should manage Nirvana. better than the Melvins!” yet the comparisons changed: Keith Cameron: “’people were saying, you know, one day, they might be as big as Sonic Youth.”, Dave Grohl in 2011 on Nevermind: “Holy shit! Not for nothing did Nirvana’s bassist Krist Novoselic – even after Nevermind had sent the Seattle band stratospheric – say that they simply wanted “to do as good as Sonic Youth”. While Sonic Youth is the focus of the documentary, the film also gives attention to Nirvana, Dinosaur Jr., Babes in Toyland, Gumball and The Ramones. Album Sunday. Nirvana continue, even after fame, to mimic the Sonic Youth mode of behaviour whether deliberately or through some shared underground heritage. Melvins acted as the role model to a young Kurt Cobain trying to seek a social setting for present-day teen survival and also looking for a longer-term means of escape from that setting. A lot of these quotations are post-event comparisons but they coincide absolutely with the vision available in 1990 of what success for a band that wasn’t soaked in mainstream glitz meant. It’s intriguing how others have either taken up the chant or saw the comparison too. Nirvana, Sonic Youth's openers on that tour, were all over the movie, and it also featured footage of Dinosaur Jr., the Ramones, Babes in Toyland, and Gumball. Create a free website or blog at WordPress.com. The film is dedicate… Part credit for this post goes to a gentleman called Brett Robinson over on the LiveNirvana forum (if you’re interested in Nirvana I genuinely recommend the site and the forum — I’ve used the site for years but only recently engaged with the forum and the intelligence and knowledge present is awe-inspiring.) The European dates, given at the beginning of the film, are as follows: VHS box cover of 1991: The Year Punk Broke, Learn how and when to remove this template message, "Year Broke (theyearpunkbroke) on Myspace", SYR6: Koncertas Stan Brakhage prisiminimui, Frances Farmer Will Have Her Revenge on Seattle, Experiencing Nirvana: Grunge in Europe, 1989, Smells Like Bleach: A Punk Tribute to Nirvana, Nirvana – A Classic Album Under Review – In Utero, https://en.wikipedia.org/w/index.php?title=1991:_The_Year_Punk_Broke&oldid=976865036, Documentary films about punk music and musicians, Articles needing additional references from February 2010, All articles needing additional references, Pages using infobox film with unknown empty parameters, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, Chicago, IL - Cabaret Metro - August 17, 2002, Chicago, IL - Cabaret Metro - November 5, 1988, Berlin, Germany - Columbiahalle - October 21, 2009, Brooklyn, NY - Williamsburg Waterfront - August 12, 2011, Los Angeles, CA - Veterans Wadsworth Theatre - May 28, 1998, Asheville, NC - Orange Peel - August 20, 2004, Trenton, NJ - City Gardens - May 22, 1987, San Francisco, CA - The Warfield - March 5, 1993, Irvine, CA - Crawford Hall - November 3, 1990, Perspectives Musicales - Live At Cat's Cradle 2000, This page was last edited on 5 September 2020, at 14:36. Nirvana did their tour with Dale Crover from the Melvins on the drums. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Change ), You are commenting using your Twitter account. This track is a cover of Nirvana song “Moist Vagina”. Inhuman - Sonic Youth White Kross - Sonic Youth Orange Rolls, Angels Spit - Sonic Youth In Bloom - Nirvana Eric's Trip - Sonic Youth Chapel Hill - Sonic Youth Broken Punk - 12 Years After Q&A Mote - Sonic Youth Flower - Sonic Youth Trailer Teenage Riot (Alt. Months before Nirvana overtook the world with "Teen Spirit" mania in late 1991, the band was tapped by Sonic Youth for a European festival tour. However, Nirvana’s debt to Sonic Youth goes further than just label logistics or distribution models. While Sonic Youth is the focus of the documentary, the film also gives attention to Nirvana, Dinosaur Jr., Babes in Toyland, Gumball and The Ramones. We’re going to be as big as Sonic Youth!”, Everett True in Nirvana: The True Story: “’Yeah, as big as Sonic Youth at least, or the Pixies…”, Anton Brookes: “our idea of the ‘Top 10’ was being as big as Sonic Youth or the Pixies…”, Krist Novoselic in 1992: “‘We wanted to do as good as Sonic Youth…”. Then Thurston called me and told me how great they were. ( Log Out /  We met with Nirvana, and they trusted us because they trusted Sonic Youth.” Just like Dale Crover’s presence had persuaded Jack Endino to open his doors to Nirvana in 1988, Sonic Youth got Nirvana their management company thanks to firstly, taking Nirvana with them for seven shows in August 1990 (at that point the largest shows Nirvana had been a part of), then personally asking for it to happen. Change ), You are commenting using your Facebook account. The film takes place over the course of Sonic Youth and Nirvana's 1991 European tour. Nirvana followed Sonic Youth onto Gold Mountain for a very clear reason as described in 2011 by Danny Goldberg, “John and I signed Sonic Youth, who were very good at picking opening bands…They chose Nirvana to open for them on a European tour, and I recall John coming back and saying that we should manage Nirvana. At a screening of the film at the 2008 All Tomorrow's Parties festival in Monticello, New York, Markey mentioned that the working title for the film was Tooth or Hair, as a further play on this connection. The original song: STP was an all-female group with Julia Cafritz from Pussy Galore and Free Kitten, and had nothing to do with Stone Temple Pilots. 1991: The Year Punk Broke, released theatrically in 1992, is a documentary directed by Dave Markey featuring American alternative rock band Sonic Youth on tour in Europe in 1991. ( Log Out /  The film was again re-released on DVD on September 13, 2011 by the Universal Music Group.[1]. Several scenes in the film involve re-enactments and references to scenes from the contemporaneous Madonna tour documentary, Truth or Dare, such as Gordon complaining about "industry people" in the front row, or Cobain, introduced as "Costner" telling Sonic Youth that their show was "neat". The film is dedicated to him. 1991: The Year Punk Broke, released theatrically in 1992, is a documentary directed by Dave Markey featuring American alternative rock band Sonic Youth on tour in Europe in 1991. Change ), Dark Slivers out now: Kindle ebook or, for paperback, email NirvanaDarkSlivers@gmail.com, Cobain: The Man Who Sold The World (Thank You Jasmine), The Stooges: Round Up The Rarities Part Three, "I Played With Nirvana" – Eyewitnesses 1987-1994, After In Utero – The Final Year 1993-1994, Dark Slivers: Seeing Nirvana in the Shards of Incesticide, I Found My Friends: the Oral History of Nirvana, No Seattle: Forgotten Sounds of the North West Grunge Era, Flowers of Romance and Bathroom Destruction. Sonic Youth & Kurt Cobain / Nirvana. The sponsorship of other bands — whether The Raincoats, The Vaselines, Melvins — was something Sonic Youth had been doing for years, bringing up other acts as tour support or barracking the industry to get them releases. Precisely the same thing happens again with Kim Gordon apparently responsible for persuading Nirvana that DGC was the label they should go with.

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